Zukunft KMB
In autumn 2017, Hansjörg Wyss announced that he would support the cause of a Kunstmuseum Bern extension building for contemporary art if the project ‘angebaut’ would eventually be realised. Discussions between the museum, the city and the Canton of Berne ensued. A feasibility study was prepared in 2018 with the aid of architecture experts. Important issues for the study were an urban upgrading of Hodlerstrasse as well as the well-known pressing need for renovating the Kunstmuseum Bern extension.
Under the title ‘Zukunft KMB’ – KMB of the Future –a new chapter in public discourse began on Hodlerstrasse in 2019. For a convincing solution for the future one must expand their think zone. The different ownership and usage conditions, competencies and public interests can only be reconciled in open dialogue. The umbrella foundation is therefore holding talks with all cantonal and municipal authorities, administrations, partners, associated foundations, sponsoring associations, Bern cultural organisations, natural and historic heritage conservation organisations, as well as architectural and business associations.
The umbrella
foundation’s strategy provides the framework for this exchange: ‘Bern is one of
Switzerland’s leading national and international art showcases. The close
collaboration between the Kunstmuseum Bern and the Zentrum Paul Klee offers a
unique and holistic art and cultural experience. The building on Hodlerstrasse
and the Monument im Fruchtland are complementary starting points for encounters
and confrontations, inspiration, discourse and knowledge, where visitors gain a
new and novel experience of art on site or in virtual space.’
To exploit
this chance for the Kunstmuseum Bern’s future to its fullest, the museum not
only launched the initialisation phase lasting until summer 2019 but at the
same time sought a public dialogue with the interest groups and the museum
audience. In May and June 2019, public panel events on the topics of
‘Contemporary art at the Kunstmuseum Bern?’, ‘Hodlerstrasse art mile’ and ‘The
Kunstmuseum of the future’ took place. A series of workshops was organised as
well, accompanied by innovative questioning methods on the part of the public,
employees and experts. The results are compiled in a project dossier with three
concepts for solutions, serving as a basis for decisions on funding and the
architecture competition.
There are many and very different questions to be asked, and the answers can only be found in a dialogue between all those involved
• How can the museum better
utilise its special location on the slopes of the Aare river and offer its
visitors a view of and access to the fantastic nature park?
• How can the Kunstmuseum Bern become a
‘green museum’?
• How can provenance research be a visible
part of the museum's operations?
• What kind of spaces are needed for art
education and learning in the future?
• Can the police office building at number
six Hodlerstrasse be incorporated in the plans?
• How can Hodlerstrasse offer
better quality as a place to visit by changing the traffic system and become an
art mile in the neighbourhood of PROGR and Waisenhausplatz?
• How can the ‘Hodlerstrasse
Art Mile’ emanate the feeling of a new museum triangle together with the
Zentrum Paul Klee and the planned Museum Quarter in the Kirchenfeld district?